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Guests of the Pioneers of Kuznetsov’s Unit

Creation period
1977
Dimensions
120x220 cm
Technique
canvas, oil
1
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#1

The museum’s exhibition features the painting “Guests of the Pioneers of Kuznetsov’s Unit”, created by the partisan artist Grigory Grigoryevich Ponomarenko. The work captures a moving encounter between veterans of the legendary partisan detachment “The Winners” and young pioneers. The meeting took place at a Moscow school named after Dmitry Nikolaevich Medvedev — the detachment’s commander. This symbolic event embodies the continuity between generations of heroes, linking past and present through the enduring memory of their feat.


When the war began, Grigory Ponomarenko volunteered for the front. He fought against German forces near Orsha, was seriously wounded, and captured twice. Fate eventually brought him together with the scouts of a special partisan detachment under Medvedev’s command — where the legendary intelligence officer Nikolai Ivanovich Kuznetsov also served.


Even in the midst of combat, Ponomarenko never abandoned his vocation as an artist. In every spare moment, he drew: recording military events, sketching comrades, and creating portraits of commanders and fighters. These field sketches have since become invaluable historical documents of the era. More than mere likenesses, they convey the profound inner world of partisans and Red Army soldiers — their resilience, humanity, and quiet dignity.


In a letter to a friend, Ponomarenko recalled the day he drew Nikolai Ivanovich Kuznetsov posing as a German officer:

#2

...Finally, Grachyov entered with a joking military salute, which somehow calmed me. After taking off his overcoat and then his overalls, he stood before us in the uniform of a German Hauptmann — complete with an Iron Cross and the ribbon for participation in the winter campaign near Moscow.

He sat to pose. His head, lit from above, stood out sharply against the dark backdrop: a large skull, a lean and energetic face etched with fine wrinkles around the eyes, blue eyes set deep in dry sockets, framed by pale lashes and eyebrows. His expression shifted subtly — now warm, with a glint of humor; then stern, even angry… But the moment he placed the officer’s cap on his head, he transformed. His face grew somber, hardened — suddenly filled with an expression of self-satisfaction, disgust, and arrogance. His heavy lower jaw jutted forward, lending his features a harsh, almost cruel severity… Beneath the cap’s visor, his eye sockets darkened, and the pupils gleamed with an unsettling, cold glare — the very image of a seasoned fascist, the kind I’d seen all too often in the concentration camp. I couldn’t help but feel uneasy. ‘What an artist!’ I thought. ‘What mastery of transformation!’ Reassured, I picked up my pencil and began to draw.

I composed the sketch to focus entirely on the face — so I deliberately cropped out the top of the cap, with the hateful eagle.

The drawing, I believe, turned out well…

#3
Photo of the painting “On a Special Assignment” by G. Ponomarenko: the moment when Kuznetsov is sent on a combat mission after receiving instructions from the command of “The Winners”
#4
Copy of the painting “I Am the Winner” by G. Ponomarenko, which captures the moment of N.I. Kuznetsov’s return to the base of “The Winners” partisan detachment in the Rovno region to transmit information obtained during intelligence activities in Rovno 
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Guests of the Pioneers of Kuznetsov’s Unit

Creation period
1977
Dimensions
120x220 cm
Technique
canvas, oil
1
Point your smartphone camera to open in the app
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To see AR mode in action:
  1. Install ARTEFACT app for 
  2. iOS or Android;
  3. Find and download the «Paintings in Details» exhibition
  4. Push the «Augmented reality» button and point your phone's camera at the painting;
  5. Watch what happens on your phone screen whilst you flip through the pictures.
 
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