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Peasant Girl

Creation period
1910
Dimensions
56x76,8 cm
Technique
oil, canvas
66
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#1
Philip Malyavin
Peasant Girl
#2
Philip Malyavin painted ‘Peasant Girl’ from the museum collection in the 1890s. At that time, he created a whole gallery of female images, which brought him fame. The models for his portraits were peasant girls and women.
 
Malyavin began his series of female images in his hometown, Buzuluk, the Samara Governorate. In 1895 and 1897, he spent his summer there, worked a lot, and created portraits of local peasants.
 
Contemporaries spoke of the artist as a natural color master. ‘Peasant Girl’ demonstrates painting techniques similar to those of post-impressionists. Malyavin used color contrasts to create a solid, three-dimensional, and abstract form.
The artist strove to convey the emotional state of his model. The face of the peasant girl is sullen and unfriendly, and the mood of the picture is quite gloomy. At the same time, there is energy and inner strength in the girl’s eyes.
 
During the period when Malyavin painted peasants, his works began to be displayed more often at exhibitions, including foreign ones. Critics noted that the painter moved beyond the canons of academic and the Wanderers (Peredvizhniki) art. The artist Mikhail Nesterov recalled:
#6
His “artistic” sensations are so subtle, new and vivid, so unexpected and bold, that I, not yet old in art in general, feel, listening to him, that I am getting old, that we are already an“obsolete’ era.
#5
Philip Malyavin was born on October 10, 1869, in the Samara Governorate in a peasant family. From 1885 to 1892, he was a novice at St. Panteleimon Monastery on Mount Athos and worked in an icon painting workshop. There, he met the famous sculptor Vladimir Beklemishev, who appreciated the young artist’s talent, helped him to come to Saint Petersburg, and began to support him. In the autumn of 1892, Philip Malyavin became a non-matriculated student of the Imperial Academy of Arts. For a year and a half, he completed the head, figure, and outdoors classes programs.

The Commission did not immediately accept his graduation work ‘Laughter’: screamy colors, wide brush strokes, unpainted fragments and the absence of plot did not conform to the academic canons. However, in the end, the Council of the Academy of Arts accepted Malyavin’s work, as Ilya Repin came to his defense.

In 1918–1920, Malyavin lived in the city of Ryazan and worked in the local Commissariat for Education. His first personal exhibition was also held here. In 1922, the artist emigrated. He lived in France, Germany, Belgium.
#4
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Peasant Girl

Creation period
1910
Dimensions
56x76,8 cm
Technique
oil, canvas
66
Point your smartphone camera to open in the app
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To see AR mode in action:
  1. Install ARTEFACT app for 
  2. iOS or Android;
  3. Find and download the «Paintings in Details» exhibition
  4. Push the «Augmented reality» button and point your phone's camera at the painting;
  5. Watch what happens on your phone screen whilst you flip through the pictures.
 
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