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Сolour Construction

Creation period
1922
Dimensions
66x62 cm
Technique
Canvas, oil
0
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#1
Alexandra Ekster
Сolour Construction
#2
Alexandra Ekster is one of the iconic artists of the Russian avant-garde. In different periods of her life she was engaged in painting and scenography, teaching, illustration of books and creation of objects of decorative and applied art. She was highly appreciated in Europe for her creative freedom and original approach to non-figurative painting, while the artist’s studio in Kiev, where she had spent her childhood and youth, was a point of attraction for the creative intelligentsia of all walks of life.

Among Ekster’s guests and students in Kiev were El Lisitsky, Isaac Rabinovich and Ilya Ehrenburg. In Moscow, she was in close contact with Kazimir Malevich and participated in the most important avant-garde exhibitions of the 1910s (Triangle, Union of Youth, Jack of Diamonds), while in Paris, she teamed up with the artists Sonya and Robert Delaunay.Among Ekster’s guests and students in Kiev were El Lisitsky, Isaac Rabinovich and Ilya Ehrenburg. In Moscow, she was in close contact with Kazimir Malevich and participated in the most important avant-garde exhibitions of the 1910s (Triangle, Union of Youth, Jack of Diamonds), while in Paris, she teamed up with the artists Sonya and Robert Delaunay.
#5
The time of triumph for Ekster was the exhibition of the association Jack of Diamonds. It was held in the autumn of 1917 and was received with great enthusiasm by most critics. Almost a hundred of the artist’s works were put on display - sketches of theatrical costumes, abstract and cubo-futuristic works, which impressed the audience with bright colours and inner energy, something absolutely untypical, for example, of the ascetic paintings of Malevich.
#14
‘Her element is the baroque “of isms”, the art historian Abram Efros wrote about Alexander Ekster.
“Ten years later, in 1927, I saw a retrospective exhibition of her theatrical works in Berlin. From cubism to expressionism, everything in them was “dionysiastic”. She lived at the cutting edge of aesthetics. Moderation and calculation were not for her’.
#9
During that period Ekster explored the significance of colour and the expressive power it generated. A few years later, she created her Colour Construction, which art historians regard as the embodiment of the artist’s most important ideas. She aimed to show how a tension between surfaces created a special rhythm. The main thing here is the movement inside the artistic painting. This is one of Ekster’s last experimental works where the viewer can perceive the influence of cubism. Afterwards the artist focused on ‘pure’ artistic design, which, in her opinion, was born out of a dialogue between colours.
#13
At the same time Ekster was actively involved in theatrical projects of the State Theater of Communist Drama and the Moscow Art Theater as a stage and costume designer. Among her most important scenographic findings was the idea to abandon canvas decorations in favour of light effects.
#15
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Сolour Construction

Creation period
1922
Dimensions
66x62 cm
Technique
Canvas, oil
0
Point your smartphone camera to open in the app
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To see AR mode in action:
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  2. iOS or Android;
  3. Find and download the «Paintings in Details» exhibition
  4. Push the «Augmented reality» button and point your phone's camera at the painting;
  5. Watch what happens on your phone screen whilst you flip through the pictures.
 
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