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Our Lady Hodigitria of Kazan

Creation period
19th century
Dimensions
30,3x26,5 cm
30.3х26.5x3.3 cm
Technique
Wood, tempera
0
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#1
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Our Lady Hodigitria of Kazan
#2
This iconographic type of Hodigitria traces its origins to the ancient Christian Monastery of Hodegon in Constantinople. Here an icon was first found that depicted the Mother of God holding the Infant on her left arm — legend had it that the icon was painted by Apostle Luke. In Greek, ‘Hodigitria’ means ‘the One who Shows the Way’.

A copy of the icon was discovered on 21 July 1579 in the Khanate of Kazan, whose capital city had already been conquered by Ivan the Terrible. From the name of Kazan city, the icon received the last part of its title. It is unknown how the icon found its way to the Muslim lands. Researchers suggest that it was taken as a military trophy from Constantinople’s Church of St. Mary of Blachernae. The Russian Tzar ordered an Orthodox church to be builtin Kazan and copies of the icon made. Before long, copies of Our Lady of Kazan spread throughout Russia.
#5

Iconography

#3
The Kazan iconwas traditionally a head-and-shoukders depiction of the Virgin, with her head slightly bowed, and the image of the Infant half-length and always frontal. His right hand was raised in a blessing gesture, and the left one was hidden under his garments. Unlike other types of icons, here artists painted the Mother of God and Jesus looking directly at the viewer. Our Lady of Kazan was the patron saint of Russian warriors, therefore Prince Dmitry Pozharsky and commander Mikhail Kutuzov would carry it with them in military campaigns. The icon was revered by the imperial Romanov family, too. Tsar Alexey Mikhailovich Romanov declared the day of its acquisition in 1649 a national holiday.
#6
The icon housed in the State Museum of Fine Arts of Khanty-Mansiysk was painted by Kostroma artisans in the 19th century. This city was reckoned to have some of the most skilled of them. Since the 17th century, the Tzar’s Armoury Chamber used to employ 70 staff painters from Kostroma.

The icon was painted with tempera — a mixture of pigment powders with egg yolk — which continued to hold sway in the 19th century. Further, it was gaining ground in secular painting, where the yolk was sometimes replaced by a mixture of egg and varnish. The completed icon would be given a coat of olifa varnish — boiled flax-seed oil or hemp-oil.
#4
The painters of this icon have observed all the canons. The Virgin is represented dressed in a purple veil — an omophorion — adorned with a gold-fringed border and three stars, symbolising the purity of the Virgin.
#7
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Our Lady Hodigitria of Kazan

Creation period
19th century
Dimensions
30,3x26,5 cm
30.3х26.5x3.3 cm
Technique
Wood, tempera
0
Point your smartphone camera to open in the app
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To see AR mode in action:
  1. Install ARTEFACT app for 
  2. iOS or Android;
  3. Find and download the «Paintings in Details» exhibition
  4. Push the «Augmented reality» button and point your phone's camera at the painting;
  5. Watch what happens on your phone screen whilst you flip through the pictures.
 
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