The Hunters
Creation period
Second half of the 1890-s.
Dimensions
84,7x58,5 cm
84.7х58.5 сm
84.7х58.5 сm
Technique
Oil on canvas
Exhibition
2
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N.P.Bogdanov-Belsky
The Hunters
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Nikolai Bogdanov-Belsky painted The Hunters in the second half of the 1890-s. By that time he was a graduate of two educational institutions: the Moscow School of Painting, Sculpture and Architecture and the Higher Art School of the Imperial Academy of Arts where he studied in Ilya Repin’s class. For the painting The Future Monk the artist was awarded a Great Silver Medal and the title of a Certified Artist. The rank exempted its holder from personal income tax and mandatory military service.
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The Future Monk. Source: commons.wikimedia.org
The Society for Travelling Art Exhibitions known as The Itinerants (Peredvizhniki) was the largest painters’ Association at the time. Bogdanov-Belsky joined it in 1895. He participated in the exhibitions of the Society; collectors purchased his paintings, and wealthy merchants would order copies of those canvases. The artist travelled to Paris to study in Fernand Cormond’s studio, worked in Italy and Germany, and in his free time he would return to the village of Tatyevo in the Tver province of Russia. There Bogdanov-Belsky stayed at Sergei Rachinsky’s, his first mentor’s, house, and quite soon bought the estate of Davydovo not far from Tatyevo. His models were mostly peasant children; sometimes, adult villagers would sit for the artist, too.
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About picture
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In the painting The Hunters Bogdanov-Belsky portrayed two peasants with hunting trophies. Not only did the artist know what the village catchers looked like, but he himself would often go hunting with them. Nikolai Zolnikov, a local teacher, used to recall: ‘It so happened sometimes that he would miss the target and start finding various excuses for that: either somebody pulled him by the arm all over a sudden, or the boat was unstable, or the dog started barking at the wrong time. He would get angry and excited, while the rest of the company kept joking at him saying: so what, so he missed again. It was my father who told me about that, they often hunted together with the artist.’ Bogdanov-Belsky also devoted another painting to hunting. His canvass Children Rounding up the Bear is now kept in the Ontario Art Gallery in Canada.
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For the painting the artist used a mild and subdued palette of colours. The characters are painted in a delicate and precise manner, while the simple homemade implements are done in broad-brush strokes. It is the genre that art historians call ‘no action’ painting, favoured by some of the Itinerants. The figures in the canvas seem to be inactive; it is the mood of the painting, not action that matters. The first artist who turned to that genre was Ivan Kramskoi in his Mermaids and A Girl with Her Hair Unbraided.
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The State Museum of Fine Arts of Khanty-Mansiysk
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The Hunters
Creation period
Second half of the 1890-s.
Dimensions
84,7x58,5 cm
84.7х58.5 сm
84.7х58.5 сm
Technique
Oil on canvas
Exhibition
2
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