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Feodor Chaliapin’s Victrola

Creation period
the early 20th century
Place of сreation
the USA
Dimensions
39x45x50 cm
Technique
wood, metal, broadcloth
0
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A Victor phonograph, or a Victrola, is a musical device of the early 20th century, a type of gramophone without a detachable horn. The sound of a Victrola was more powerful than that of a gramophone; the volume was adjusted by opening and closing special doors of the wooden case. The phonograph was wound up with a metal handle installed on the side. The museum presents a Victrola from the house of Feodor Ivanovich Chaliapin in Moscow. In the 1900s, not everyone could afford such a beautiful and expensive thing.

This musical device was produced by the American company Victor Talking Machine Company, a leading manufacturer of gramophones and gramophone records. The word “Victrola” comes from the name of the owner of the company — Victor Orcier. The company’s logo was a Jack Russell Terrier dog listening to a record. The Victor company was one of the flagships of the world recording industry.

The Victrola is a desktop solid wood cabinet with oak veneer upholstery. The miniature inlaid doors make the sound system look exquisite. The inside surface of the lid is stamped with the “His Master’s Voice” logo. The sound of the Victrola is produced by a metal turntable lined with green broadcloth, a tonearm, an adapter, and a membrane.

In 1901, Feodor Chaliapin enjoyed great success at the La Scala Theater in Milan. He gave ten performances as Mephistopheles and recalled the following about those days,

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I sang, without feeling anything, what I already knew by heart and as loud as I could. My heart was pounding, I was out of breath, everything around me was blurry, staggering and floating.
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After the triumph in Italy, Chaliapin was asked to record his voice for the first time. He agreed and would be actively making recordings for the next thirty years. Despite the low quality of the recordings, his voice still sounds magnificent even a hundred years later.

Chaliapin recorded his favorite songs, arias from operas, romances by Russian and foreign composers and folk songs, which he loved with all his heart. In February 1936, Chaliapin made his last gramophone recording when he was in Tokyo while touring Japan and China. In 1968, the desktop Victrola was donated to the museum by the artist’s eldest daughter, Irina Feodorovna Chaliapina-Baksheyeva.
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Feodor Chaliapin’s Victrola
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Feodor Chaliapin’s Victrola

Creation period
the early 20th century
Place of сreation
the USA
Dimensions
39x45x50 cm
Technique
wood, metal, broadcloth
0
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