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Holy Gospel

Creation period
1896
Dimensions
20x15 cm
20x15x6.5 cm
Technique
paper, metal, typographic printing, stamping
5
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#1
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Holy Gospel
#5
The copy of the Gospel that is stored in the Tambov Regional Ethnography Museum was printed in the Moscow Synodal Printing House in 1896. This is a communion-table Gospel; it was kept on the Lord’s Table that was located in the center of the church altar. This Gospel symbolizes the appearance of Jesus Christ and His continued presence in the church. 
 
This copy of the book was found in Tambov during the ministry of Archbishop Luke Voyno-Yasenetsky in 1944-1946. In 1944, the Intercession Church was restored and got the status of the cathedral, or the main Orthodox church in the city. In February of the same year, Archbishop Luke turned to the parishioners of the Intercession Cathedral with a request to bring everything that could be useful to the church. This Gospel was among the objects brought by the parishioners.
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A page of the Holy Gospel. Moscow, Synodal Printing House, 1896
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Today, the 1896 Gospel is an important object of bibliographic historic heritage. The text is printed in Church Slavonic, in two colors, black and red. The pages are decorated with ornaments: each of the four Gospels begins with headpieces; the frames and end pieces on the pages are made in neo-Russian style. 
 
The Gospel is enclosed in a brass metal cover; its clasps are not preserved. Relief compositions are embossed on the front side of the cover. The main scene of The Resurrection of Christ: Descent into Hell is placed in the center. The circle symbolizes eternity; two lozenges are symbols of the Church and angelic powers. The resurrection of Christ is one of the central subjects of the New Testament and the basis of Christian teaching. It is mentioned in all four Gospels, but without details, since it is believed that none of the mortals had full knowledge of this sacrament. 
 
On the embossed relief, Christ ascends with a banner in his hand, which depicts a cross as a sign of victory over death and hell. An angel, the first witness to the resurrection of Jesus, is seen on the left side, in the background. He is sitting on a stone near an empty tomb. The image of Christ with a flag or a banner is a Western European tradition that appeared in Russia in the 17th century. The artist adorned the corners of the cover with relief images of evangelists Mark, Matthew, Luke and John and their canonical symbols: a lion, an angel, an ox and an eagle. In Christianity, they constitute a tetramorph guarding the four reaches of paradise.
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The reverse side of the cover of the Holy Gospel. Photograph from the collection of Tambov Regional Ethnography Museum
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The reverse side of the cover features a relief image of the Old Testament Trinity in the oval centerpiece. It is based on the narrative in which three angels are sitting under the Oak of Mamre, under which the biblical patriarch Abraham met God. The angels symbolize the different hypostases of God. They wear identical clothes and sit in similar positions, which bespeak the equality among them. In this case, the central angel is slightly larger than others. The angel sitting on his left points at him with a gesture of his hand, indicating him as Christ. This angel is God the Father. The angel sitting on the right is the Holy Spirit.
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Holy Gospel

Creation period
1896
Dimensions
20x15 cm
20x15x6.5 cm
Technique
paper, metal, typographic printing, stamping
5
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To see AR mode in action:
  1. Install ARTEFACT app for 
  2. iOS or Android;
  3. Find and download the «Paintings in Details» exhibition
  4. Push the «Augmented reality» button and point your phone's camera at the painting;
  5. Watch what happens on your phone screen whilst you flip through the pictures.
 
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