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To see AR mode in action:

1. Install ARTEFACT app for iOS or Android;

2. Find the exhibition «The Life and Work of R.I. Rozhdestvensky»

3. Push the «Augmented reality» button and point your phone's camera at the exhibit;

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Round top table

Creation period
the 1900s-1920s
Dimensions
73x78 cm
Technique
wood, varnish, carpentry, turning, hand-made
0
Open in app
#4
Round top table
#5
This table was donated to the museum by Robert Rozhdestvensky’s first cousin once removed — Larisa Chuiko, a senior research officer at the Municipal Museum “Art of Omsk”. The table stood in the apartment of the poet’s relatives on his father’s side, Stanislav Petkevich, in Omsk, where they lived in 1937-1944.

The first Robert Rozhdestvensky’s childhood memories were about this very city.
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My memory begins with the city of Omsk, where our family moved. I remember a two-story old log house. The logs were somehow flattened, cracked but they were still alive as they would change their color… Along the springy wooden walkway, about seventy steps away, was the main river of my childhood — Omka
the poet wrote in his sketch “Why we write about the war”
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The poet’s mother, Vera Rozhdestvenskaya, recalled how much Robert loved Omsk: “He learned to speak, read and write here, and some good people, especially those from the institute library, taught him to love reading, to love good and appropriate books. Since then, books have become his best friends and mentors. In Omsk, at the age of four he began to compose poems; at the age of five he learned to read and write in block letters from newspapers and began to write the poems down. He often recited them at matinees in the kindergarten. Before school he filled up the whole notebook with his poems, but it was lost during the war…”

One could say, Robert Rozhdestvensky’s journey as a poet started there. On July 12, 1941, the local newspaper “Omskaya Pravda” (Omsk Truth) published his first poem “Fascists will never be spared”:
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Although I’m ten now,
To shoot I’m prepared.
And let Stalin tell me:
“Go and fight!”
The fascists will never be spared.
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The poet donated his first fee — about 9 rubles — to a military fund and then kept on writing poetry. Afterwards, most of his poems were turned into songs, such as the poem “Requiem”, written in the post-war years. People still remember, love and perform these songs.

The poet dedicated one of the poems, written in his adulthood, to Omsk, which later became a popular song and was performed by Edita Piekha:
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Somewhere is a town
quiet like a dream.
Covered with
a fluid breast-high dust.
In the slow river water looks like glass.
Somewhere is a town
in which it’s warm.
#3
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Round top table

Creation period
the 1900s-1920s
Dimensions
73x78 cm
Technique
wood, varnish, carpentry, turning, hand-made
0
Point your smartphone camera to open in the app
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Open in app
To see AR mode in action:
  1. Install ARTEFACT app for 
  2. iOS or Android;
  3. Find and download the «Paintings in Details» exhibition
  4. Push the «Augmented reality» button and point your phone's camera at the painting;
  5. Watch what happens on your phone screen whilst you flip through the pictures.
 
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