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Christ Before Caiaphas

Creation period
the mid-19th century
Place of сreation
the Russian Empire
Dimensions
30x66 cm
Technique
wood, gesso, oil, tempera
Exhibition
0
Open in app
#2
“Christ Before Caiaphas” is a gospel episode preceding the condemnation and surrender of the Lord to the Roman authorities for the approval and execution of the sentence. The historical context is very important for understanding it.

In Jewish law, the position of the high priest lasted for the holder’s lifetime. However, as Flavius Josephus testifies, between the removal of the high priest Annas (Ananus) in 15 AD and the beginning of the reign of his son-in-law Caiaphas (Joseph) in 18 AD, three more people held this position: Ismail, Eleazar and Simon. Researchers explain the long reign of Caiaphas (from 18 to 36 AD) by his loyalty to the Roman government and de facto subordination to the more experienced Annas. The numerous miracles performed by Jesus, especially the resurrection of Lazarus, and His authority among people, frightened the Sanhedrin (Jewish Supreme Council): the miracles and His veneration were considered as threats to Sanhedrin’s power and a reason for conflicts with the Roman Empire. The decision to sentence Jesus to death had been made a long time ago, but it required a strong justification.

The trial at the residence of the high priest Caiaphas was held with many violations. The condemned Christ was brought first for interrogation to Annas, who no longer had the right to perform judicial duties, and only then to Caiaphas; the Sanhedrin was not fully convened; the trial was held at Caiaphas’s residence, at night, although the law required meetings to be held only in the Temple, in daylight; moreover, false witnesses were called.

This miniature icon depicts the house of Caiaphas on Mount Zion — the area to the southwest of the Temple, where the palace of King David used to stand, and in the time of Christ the Jewish nobility lived. The high priest interrogates Jesus in the presence of the elders and guards and receives an affirmative answer to the question intended to be a provocation:
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Are You the Christ, the Son of the Blessed?
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John the Apostle notes an important point during the trial:
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<Caiaphas said> ‘do you consider that it is expedient for us that one man should die for the people, and not that the whole nation should perish.’ Now this he did not say on his own authority; but being high priest that year he prophesied that Jesus would die for the nation.
John 11:50-51
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Hence, he understood the meaning of Christ’s atoning sacrifice, but did not change his decision.

The icon was painted by Palekh masters in the 1830s for the Feasts tier of the iconostasis of the Vladimir Chapel of the Nativity Church in Balakhna. Palekh became the center of icon painting in the 17th century. The works of Palekh artists are characterized by a complex painting technique called plav (in which the colors seem to melt into one another).

The icon was received by the Balakhna museum for permanent storage on February 28, 1977. In 1994, it was restored in the Interregional Scientific and Restoration Art Department. The works were supervised by Valery Fyodorovich Kosushkin.
#8
View in the State Catalogue
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Christ Before Caiaphas

Creation period
the mid-19th century
Place of сreation
the Russian Empire
Dimensions
30x66 cm
Technique
wood, gesso, oil, tempera
Exhibition
0
Point your smartphone camera to open in the app
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To see AR mode in action:
  1. Install ARTEFACT app for 
  2. iOS or Android;
  3. Find and download the «Paintings in Details» exhibition
  4. Push the «Augmented reality» button and point your phone's camera at the painting;
  5. Watch what happens on your phone screen whilst you flip through the pictures.
 
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