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Profile portrait of Mikhail Lermontov

Creation period
1840
Place of сreation
the Russian Empire
Dimensions
13x10 cm
Technique
paper, pencil; graphics
0
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#1

This is the only known profile portrait of Mikhail Yuryevich Lermontov painted during his life. The drawing was made from life by Artillery Lieutenant Dmitry Petrovich von Pahlen in July of 1840. At that time, Lermontov was exiled to the Caucasus for a second time due to his duel with the son of the French Ambassador de Barante. He then participated in General Galafeyev’s campaign in the Chechnya region, including in the battle on the Valerik River on July 11. This battle, which involved a clash between soldiers and highlanders, was immortalized in Lermontov’s poem,

#2

… and the slaughter began.

For two hours in the river

The battle lasted.

Fighting with brutality

Like animals, silently,

The stream was filled with bodies.

I wanted to scoop some water…

#3

The image of the brutal battle is contrasted with a description of the Caucasian landscape:

#4

And over there, in the distance,

Always proud and calm,

The mountains — and Kazbek,

With its pointed sparkling head.

In my profound sadness,

I kept thinking: the man is pitiful.

What does he want?.. The clearest sky,

And plenty of space for everyone,

But incessantly and to no avail,

He is the only one fighting — but why?

#5

Reflecting on the futility of human ambition and hopes, Lermontov himself was reputed to be a man of great determination. In the words of his contemporary, Lieutenant Colonel of the General Staff, Baron Lev Rossillon, “he wanted to appear as something special. He boasted about his bravery, as if one would be surprised by this quality in the Caucasus, where everyone is brave!” This external aspect of Lermontov’s complex nature was captured in the portrait by Pahlen, which immortalized his appearance of those years: unkempt sideburns and an unshaven face, a frock coat without epaulets.

The drawing was part of the collection of Pavel Viskovatov, the first biographer of Lermontov. In early 1883, Alexander Opekushin, a sculptor who would later create a monument to the poet in Pyatigorsk, visited Viskovatov. This profile portrait was particularly important for the sculptor as it provided a reference for Lermontov’s facial features in the absence of a death mask that was never created. In the late 1880s, Viskovatov donated the portrait to the Lermontov Museum at the Nicholas Cavalry School. Due to the abolishment of the school in 1917, among other items from the Lermontov collection, the drawing was transferred to the Pushkin House.

#6
Посмотреть в Госкаталоге
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Profile portrait of Mikhail Lermontov

Creation period
1840
Place of сreation
the Russian Empire
Dimensions
13x10 cm
Technique
paper, pencil; graphics
0
Point your smartphone camera to open in the app
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To see AR mode in action:
  1. Install ARTEFACT app for 
  2. iOS or Android;
  3. Find and download the «Paintings in Details» exhibition
  4. Push the «Augmented reality» button and point your phone's camera at the painting;
  5. Watch what happens on your phone screen whilst you flip through the pictures.
 
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