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On the Stage of the Community Center

Creation period
1975
Place of сreation
Novosibirsk, the USSR
Dimensions
160x140 cm
Technique
oil, canvas; painting
2
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#2

The exhibition of the Iskitim Museum of Arts and History features Ivan Popov’s painting “On the Stage of the Community Center”. Three women wearing traditional festive costumes sit on chairs in front of a microphone. These humble singers are getting ready for a performance or recording. The red curtain behind them limits the space and brings them closer to the front edge of the stage.

The painting was created in 1975. It is largely autobiographical. A photo of this artwork is kept in the All-Russian Shukshin Memorial Museum-Reserve. On its back, there is an inscription made by Ivan Popov,

#6

The painting could also be called ‘A Song from the Past’. In our childhood in Srostki, we often listened to our mothers sing. The prototypes for these characters were three women from our village. In the center, there is Aunt Olya Neverova. The one wearing a darker costume is Aunt Vera Popova (Kalugina). The third one is a woman from Baklan. She resembles my mother, Stepanida Konstantinovna Popova.

#7

Of course, these are also collective images of women from the countryside. Sitting in front of the microphone, these women of various ages represent the connection between generations which is based on traditional culture. At the same time, the artist painted a luminous image of his mother. Her story echoes that of hundreds of thousands of Soviet women who lost their husbands during the Great Patriotic War and struggled to find their own quiet happiness while raising an entire generation of children alone. It is unknown what song the villagers are going to sing, but it will undoubtedly be a folk song, a melodic song from the past, as the artist himself noted.

The frame was designed specifically for this painting. It features a quote by the great Russian composer Mikhail Ivanovich Glinka, “The people create music, and we, the artists, just arrange it.” Ivan Popov chose this quote for a reason. Like Glinka, he believed that modern art should be based on national roots, emphasizing a commitment to the rich cultural heritage, and the preservation of age-old traditions.

#9

…Some kind of immense power seems to be present there, in my homeland, a kind of life-sustaining force that must be tapped in order to restore one’s lost vitality. It is evident that the energy and resilience that our ancestors passed down to us lives on in people today, and it is no coincidence that people believe that native air, native language, a song familiar from childhood, and the affectionate words of one’s mother heal the soul.

Vasily Shukshin, “A Word about the Small Homeland”
#8
View in the State Catalogue
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On the Stage of the Community Center

Creation period
1975
Place of сreation
Novosibirsk, the USSR
Dimensions
160x140 cm
Technique
oil, canvas; painting
2
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To see AR mode in action:
  1. Install ARTEFACT app for 
  2. iOS or Android;
  3. Find and download the «Paintings in Details» exhibition
  4. Push the «Augmented reality» button and point your phone's camera at the painting;
  5. Watch what happens on your phone screen whilst you flip through the pictures.
 
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