The artist, Dmitry Nalbandyan, lived most of his life in Moscow, and often depicted the city in his paintings. His primary source of inspiration was the central town, Kremlin towers, Alexander Gardens and the bridges over the Moskva River.
Moscow. Red Square
Creation period
1968
Dimensions
200x150 cm
Technique
oil on canvas
Collection
Exhibition
1
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Dmitry Nalbandyan
Moscow. Red Square
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Dmitry Nalbandyan. View of the Kremlin past the Bolshoy Kamenny Bridge. 1984.
The title of the painting — Moscow. Red Square — is a misnomer. There is no sign of Red Square in the canvas — the artist depicted instead the Vodovzvodnaya Tower of the Moscow Kremlin as seen from the Bolshoy Kamenny Bridge. It was one of his most favoured places, and the artist kept painting it from different viewpoints.
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At the base of the tower is the road which looks busy, for the Soviet times, with a score of cars speeding both ways. The left part of the canvas shows a section of the Kremlin wall, with the Grand Kremlin Palace and the Ivan the Great Bell Tower in the background. To the right of the road is the frozen-over Moskva River. Further at the back are the pinnacles of a few other Kremlin towers.
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Dmitry Nalbandyan chose a tranquil, subdued palette for his painting. The darkest colours are in the lower part of the canvas used in the base of the Vodovzvodnaya Tower, adjoining sections of the wall, the road and the trees at the back. The tops of the towers and the church dome are lighter in tone as if highlighted by shafts of sunlight. The sky in the painting is clear, with wispy clouds also lit up by the winter sun.
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The artist created this painting in a manner close to impressionist, working in broad, smooth, unrestrained brush strokes, combining denser, dark tones and airy and light-toned colours.
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Dmitry Nalbandyan was born in Tiflis (now Tbilisi), Georgia. It was there that he was admitted to the Academy of Fine Arts where he attended the class of Yevgeny Lansere (Eugene Lanceray).
In 1931 Nalbandyan moved to Moscow where he soon became famous as a master of stately portraits. As he painted Joseph Stalin, Nikita Khrushchev and Leonid Brezhnev, some painters gave him the nickname of the first brush of the Politburo.
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Apart from his works in the manner of social realism, the artist did still life and landscape paintings in oil. He particularly favoured views of Crimea, Caucasus Mountains and woods near Moscow. He was very thorough in picking colours for his paintings, reflecting the mood through the interplay of light and shadows, and nuances and transitions of colour.
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Dmitry Nalbandyan. Gurzuf.
In 1992, Dmitry Nalbandyan donated some of his paintings to the city. With this collection, the Moscow authorities established his personal museum, later supplemented by the artist’s sister, Margarita Nalbandyan, who gifted the museum some of the artist’s sketches and drawings.
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There are Nalbandyan’s works in the Russian Museum, State Tretyakov Gallery, some other museums and in private collections in Russia and elsewhere. One of his paintings belongs to the famous Uffizi Gallery in Florence, Italy.
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Belgorod State Art Museum
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Moscow. Red Square
Creation period
1968
Dimensions
200x150 cm
Technique
oil on canvas
Collection
Exhibition
1
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