Mikhail Moiseevich Kazas in his works often turned to the Oriental theme. In particular, he created a series of paintings dedicated to Molla Nasreddin, a comic folklore character of the Turkic-speaking East.
Mikhail Kazas often presented his ideas in a humorous, ironic form, simultaneously developing the decorative possibilities of his style — lines, colours, patterns.
Molla Nasreddin is a picture dedicated to the anecdote There Is Something Behind That, the main character of which is precisely Molla.
Once Molla decided to perform a prank on the people who gathered at the teahouse. He asked people why they were at the teahouse then instead of helping themselves to a funeral repast. Molla said that at dinner they serve excellent pilaf and he himself had just come from there. Having heard that, people immediately headed for the direction indicated by Nasreddin. Seeing that the whole crowd was running in one direction, Molla thought that there was something behind that rapid run and excitement, which meant that there was probably something interesting, worthy of attention. And he ran after everyone.
The artist liked that witty plot so much that he created four more illustrations, in which the action could be traced from beginning to end: Moll tells about the dinner; the whole crowd starts running in the indicated direction; Nasreddin falls to thinking; he runs after the crowd.
Mikhail Kazas often presented his ideas in a humorous, ironic form, simultaneously developing the decorative possibilities of his style — lines, colours, patterns.
Molla Nasreddin is a picture dedicated to the anecdote There Is Something Behind That, the main character of which is precisely Molla.
Once Molla decided to perform a prank on the people who gathered at the teahouse. He asked people why they were at the teahouse then instead of helping themselves to a funeral repast. Molla said that at dinner they serve excellent pilaf and he himself had just come from there. Having heard that, people immediately headed for the direction indicated by Nasreddin. Seeing that the whole crowd was running in one direction, Molla thought that there was something behind that rapid run and excitement, which meant that there was probably something interesting, worthy of attention. And he ran after everyone.
The artist liked that witty plot so much that he created four more illustrations, in which the action could be traced from beginning to end: Moll tells about the dinner; the whole crowd starts running in the indicated direction; Nasreddin falls to thinking; he runs after the crowd.