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Portrait of Leonty Dubelt

Creation period
1834
Place of сreation
St. Petersburg, the Russian Empire
Dimensions
23,5x18,5 cm
Technique
cardboard, watercolor, whitewash; graphics
0
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#17

The art collection of the State Pushkin Museum features a portrait of Leonty Vasilyevich Dubelt. Dubelt was a participant in the Patriotic War of 1812 and until 1822 served as adjutant to Nikolay Nikolayevich Raevsky Sr., the senior staff officer of the Corps of Gendarmes.

From 1839, Leonty Dubelt served as the manager of Department III and a member of the General Directorate of Censorship. He was also a cavalry general. Later, he took over as chief of the secret police. In the early 1820s, Dubelt was described by the writer Nikolay Ivanovich Gretsch as “one of the liberal voices in the southern army” and a member of the Masonic Lodge “United Slavs”. After December 14, 1825, he was under investigation based on a denunciation. It was determined that he was not a member of any secret societies. However, he was forced to resign. After some hesitation, he decided to join the Corps of Gendarmes in 1830, imagining or attempting to imagine his future service in a romantic light. Dubelt wrote to his wife, Anna Nikolayevna, as follows,

#18

If I, by joining the Gendarmes, become an informant, my good name will be tarnished. However, if, on the other hand, without interfering in the internal affairs of the police, I provide support for the poor and protection for the unfortunate, <…> then what would you call me?

#19

In his memoirs, Herzen described Dubelt as follows,

#20

Dubelt is a unique individual, likely more intelligent than the third department and all three departments of His Majesty’ Own office. His gaunt face, with a long blonde mustache, weary eyes, and especially the lines on his cheeks and forehead clearly indicated that many passions had fought within this man’s chest before the uniform overcame them, or rather, covered up everything that was beneath. His features had a certain wolfish and even fox-like quality, that is, they conveyed the subtle intelligence of predatory animals, along with evasion and arrogance <…> When I approached his office, he was at his desk in his uniform without epaulets, smoking a pipe, and writing.

#21

In his role as an assistant to Alexander von Benckendorff, Dubelt communicated with Alexander Pushkin. After the poet’s death, Dubelt and Zhukovsky worked together to organize and preserve his archive. Leonty Dubelt kept a detailed journal documenting and organizing Pushkin’s documents, letters, and manuscripts. Following the completion of this work that took 15 days, Dubelt prepared a final inventory of the materials, one copy of which was kept by Zhukovsky and the other was presented to Emperor Nicholas I by Benckendorff in 1837. In 1853, Pushkin’s daughter, Natalia, married Leonty Dubelt’s son, Mikhail (1822–1900), who was a lieutenant colonel in the infantry.

#22
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Portrait of Leonty Dubelt

Creation period
1834
Place of сreation
St. Petersburg, the Russian Empire
Dimensions
23,5x18,5 cm
Technique
cardboard, watercolor, whitewash; graphics
0
Point your smartphone camera to open in the app
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To see AR mode in action:
  1. Install ARTEFACT app for 
  2. iOS or Android;
  3. Find and download the «Paintings in Details» exhibition
  4. Push the «Augmented reality» button and point your phone's camera at the painting;
  5. Watch what happens on your phone screen whilst you flip through the pictures.
 
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