‘Cristian Remmong / Wirdt in / Evich [fein] in thön / [und] lieblich sein, als … / des Menschen Hertz mit / Gott stimt über ein / 1736’ — inscribed in black along the edge of the soundboard to the left and to the right from the fingerboard (the first 2 words) and between F-holes; ‘DIR 1739’ — light-wood incrustation in the fingerboard.
Both legs of the bridge are extended: the right one is passed through the hole in the soundboard and bears against the bottom. The painting on the soundboard is in dark-green and red (shoots with rose and peony buds)Both legs of the bridge are extended: the right one is passed through the hole in the soundboard and bears against the bottom. The painting on the soundboard is in dark-green and red (shoots with rose and peony buds)
Both legs of the bridge are extended: the right one is passed through the hole in the soundboard and bears against the bottom. The painting on the soundboard is in dark-green and red (shoots with rose and peony buds)Both legs of the bridge are extended: the right one is passed through the hole in the soundboard and bears against the bottom. The painting on the soundboard is in dark-green and red (shoots with rose and peony buds)
