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Pectoral icon

Creation period
during the 1480s
Dimensions
8,6x5,1x13 cm
8.6x5.1x13 cm
Technique
Wood, silver, garnet, wood carving, forging, filigree
0
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#1
Unknown Author 
Pectoral icon The Twelve Great Feasts and Trinity of the Old Testament
#2
According to one of the versions undergarment icons became widespread in early Christian time when believers were persecuted so they had to conceal the images of the Divine personalities in a way that allowed them to have access to these items any time they wanted. There are however some alternative views stating that it was the Byzantine nobility that first began to wear pectoral icons. According to a legend, princess Olga was the first in Russia to wear the icon image. Later on she handed it over to her grandson Vladimir Svyatoslavitch who carried through the 988 religious reforms commonly called Christianizing of Rus. 
 
The pectoral icon from the Uglitch Gallery of Contemporary Orthodox Art was created in the 80s of the 15th century. Carved on a cypress tree which is painted on the obverse of the icon, there are scenes devoted to certain events from the Twelve Great Feasts — the key annual religious holidays after Easter. All the images are applied on separate spaces — stamps — and split into three horizontal registers. On the flip side of the icon ‘The Old Testament Trinity’ is carved out representing the God visitation in the image of three men in front of the first biblical patriarch Abraham.
#3
Trinity Lavra of St. Sergius
Source: wikipedia.org
Some icon fragments, e.g., the image of Trinity, are typical for iconographic tradition of the Trinity Lavra of St. Sergius — in the 15th century skillful artists proficient in miniature wood carving worked there. Artwork by one of such craftsmen — jeweler and wood carver Ambrosias — are highly valued today along with the art of most prominent icon painters. However, the cast image of Christ on the icon’s hinge joint has no exact analogues among the Trinity Lavra works of art.
#4
It is most likely that the pectoral icon was produced in one of the Uglitch monasteries which were famous for their wood and silver artwork. It could be the Paisii Pokrovsky Monastery during the rule of prince Andrey the Great, in the second half of the 15th century. The Trinity Lavra fretwork that served as model specimens for local craftsmen were found in the abode. Later on as the prince fell into disfavor the manufacture in Uglitch fell into decline.
#5
Pokrovsky monastery. Impounded during the construction of Uglitch hydro power station in the 1930s
Source: wikipedia.org
#6
Christ on the icon’s hinge joint is forged in the Image of Holy Mandylion (the Savior Not-Made-By-Hand). An old tale about this popular image of Jesus Christ has been widespread since the first half of the 4th century A.D.
#7
According to this tale when king Abgar V Ukkama from ancient Middle Eastern state Osroene got sick with leprosy he heard about miracles worked by Jesus. The king sent his record keeper and artist Ananias to bring Christ into his country. The king requested that the artist should make a portrait of Christ in case the latter would not be able to come along. When Ananias found Jesus Christ surrounded by a crowd of people the artist mounted a stone and began painting a portrait. Jesus saw the artist, washed his face, then dried himself with a handkerchief and gave it to Ananias — this is how the image of the Holy Mandylion left an imprint on a piece of cloth. After receiving the portrait, Abgar recovered miraculously and adopted Christianity soon thereafter.
#8
According to some data, the icons with the image of the Holy Mandylion were brought to Russia in the 9th century prior to Christianization. One of the most ancient Russian icons of this type that survived until today is the Novgorod Holy Mandylion dating back to the second half of the 12th century. This particular image is so popular in the Russian culture that it was printed on the flag of Penza region in 2002. In view of the authors the image of the Holy Mandylion is bound to symbolize spirituality, general unity and national revival.
Holy Mandylion, Novgorod, second half of the 12th century A.D.
Source: wikipedia.org
#9
Flag of the Penza Region.
Source: wikipedia.org
#10
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Pectoral icon

Creation period
during the 1480s
Dimensions
8,6x5,1x13 cm
8.6x5.1x13 cm
Technique
Wood, silver, garnet, wood carving, forging, filigree
0
Point your smartphone camera to open in the app
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To see AR mode in action:
  1. Install ARTEFACT app for 
  2. iOS or Android;
  3. Find and download the «Paintings in Details» exhibition
  4. Push the «Augmented reality» button and point your phone's camera at the painting;
  5. Watch what happens on your phone screen whilst you flip through the pictures.
 
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