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Ethnographic Study

Creation period
1990
Dimensions
90,3x80,3 cm
Technique
canvas, oil
12
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#2
A painter and graphic artist Izmail Yefimov is a People’s Artist of Mari El, a member of the Artists’ Union of Russia and an Honored Artist of Russia. He also designed the State Emblem and flag of the Republic. At the beginning of his career, the graduate of the Kazan Art College and the Surikov Moscow Art Institute worked in a realistic style, often turning to genre painting.

From plot realism, Ismail Yefimov moved on to abstract symbolic works with floral motifs, anthropomorphic and zoomorphic images, and semi-fantastic characters. At the end of the 1980s, Yefimov, a recognized master of realism, began a profound study of folk art. He first took an interest in Mari, and then in Finno-Ugric mythology. The knowledge he had accumulated, his observations and a plethora of Finno-Ugric festivals held in Mari El at that time needed to be processed and expressed. He wanted to convey everything that became so dear to his soul and mind.
#3
I experimented for five years, didn’t show my work to anyone, studied, watched young foreign and Russian artists, looked for something of my own. My experiments ended with an entire series of works in the genre of ethnofuturism, which was then new to me. In 1993, a Finnish delegation arrived in the republic, among the members was an employee of the Ateneum Museum, the largest in Finland. I showed her my new paintings, she selected 30 watercolors, and that’s how my first foreign exhibition as an ethnofuturist took place in Helsinki back in 1993. The paintings there quickly sold out, I didn’t even have time to photograph them for memory.
Izmail Yefimov
#4
Izmail Yefimov’s “Ethnographic Study” is dubbed the manifesto of ethnofuturism in the Mari fine arts. Through the movement of patterns and lines, the interaction of planes, through the elements of the Mari ornament and their symbolism, the artist manages to show the place of original, traditional values in the modern world.

The painting by Izmail Yefimov is also a window into the world of modern culture with its dichotomy of white and black, good and evil, light and darkness. In the eternal confrontation with darkness, light wins only when it is illuminated by the centuries-old values of one’s native people. They are encoded in the “lines” of the Mari ornament, which cut through the darkness and pave the way for light. It is possible to find the light, and therefore the future only by returning to the origins, by reviving the “roots”.
#5
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Ethnographic Study

Creation period
1990
Dimensions
90,3x80,3 cm
Technique
canvas, oil
12
Point your smartphone camera to open in the app
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To see AR mode in action:
  1. Install ARTEFACT app for 
  2. iOS or Android;
  3. Find and download the «Paintings in Details» exhibition
  4. Push the «Augmented reality» button and point your phone's camera at the painting;
  5. Watch what happens on your phone screen whilst you flip through the pictures.
 
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