Шрифт
Цвет
Графика
Изображение точки

To see AR mode in action:

1. Install ARTEFACT app for iOS or Android;

2. Find the exhibition «Cultural Heritage of the Novgorod Monasteries»

3. Push the «Augmented reality» button and point your phone's camera at the exhibit;

Скрыть точки интересаПоказать точки интереса
Показать в высоком качестве

Desyatinny Monastery

Creation period
1984
Place of сreation
Veliky Novgorod, the USSR
Dimensions
64x42 cm
Technique
canvas, oil
0
Open in app
#2
Natalia Viktorovna Zakharova was born in the village of Tesovo-Netylsky. In 1973, she graduated from the Alexander Herzen Pedagogical Institute as a graphic artist and settled in Novgorod. Working in the “Academic Dacha” Art Centre, she met many artists. Natalia Viktorovna has been a member of the Artists’ Union since 1987, and has been teaching at the Yaroslav-the-Wise Novgorod State University since 1994. The artist has taken part in solo and group exhibitions in Russia and abroad: in Bulgaria, Sweden, Poland, and Lithuania.

This painting by Natalia Zakharova presents the now-inactive Desyatinny Convent.

In chronicles, the monastery was first mentioned in connection with the year 1327 when the construction of the Church of the Nativity of the Blessed Virgin Mary — the main church of the monastery — began: “Archbishop Moses built the church of the Holy Mother of God on the Desyatina [the monastery was founded on an estate previously owned by the princes of Novgorod called Desyatina] and decorated it with icons and books.” The chronicler mentioned that the church was built of stone, but archaeological excavations have refuted it. Probably, the first Nativity church was wooden; a stone one appeared in its place only in 1397. In 1413, the stone church of John the Baptist was also erected.

The monastery survived several fires. One of them, on June 22, 1466, interfered with the peace talks between the Novgorodians and the Pskov people. The Chronicle of Avraamka states that the negligence of the latter caused the fire, in which both churches were damaged, “the archbishop’s cells, and the storage rooms, and the yard, the kitchen garden, and the monastic cells, all burned down…” and an elder monk died.

After the annexation of Novgorod by Moscow under Ivan III, the monastery lost its lands, except for the votchina (inherited land) in the Kursk Prisud (administrative division) of the Nalyuchsky pogost (The Scribe Book of the Derevskaya pyatina, 1495).

The Swedes, who occupied Novgorod in the first third of the 17th century, destroyed the Nativity Church and burned other buildings. The restoration of the monastery began in 1617, when the Treaty of Stolbovo was signed with the Swedes.

Tsar Michael I, having accepted the petition of Abbess Euphrosyne, granted the monastery land and money for restoration. Tsar Alexis of Russia protected the monastic property from landowners and boyars, freed the monks from paying duties, and restored the Nativity Church at the state expense. In 1764, the monastery was listed as a second-class one (according to a system of classification of monasteries in Russia), managed a mill and had the right to fish on the Msta River.

In the 1970s and 1980s, the buildings of the long-defunct monastery were restored. Its ancient fence, bell tower, refectory and buildings where the nuns lived have been preserved to this day.
#3
Посмотреть в Госкаталоге
read morehide
00:00
00:00
1x

Desyatinny Monastery

Creation period
1984
Place of сreation
Veliky Novgorod, the USSR
Dimensions
64x42 cm
Technique
canvas, oil
0
Point your smartphone camera to open in the app
Share
VkontakteOdnoklassnikiTelegram
Share on my website
Copy linkCopied
Copy
Open in app
To see AR mode in action:
  1. Install ARTEFACT app for 
  2. iOS or Android;
  3. Find and download the «Paintings in Details» exhibition
  4. Push the «Augmented reality» button and point your phone's camera at the painting;
  5. Watch what happens on your phone screen whilst you flip through the pictures.
 
We use Cookies
Cookies on the Artefact Website. We use cookies to ensure that we give you the best experience on our website. If you continue without changing your settings, we'll assume that you are happy to receive all cookies on the Artefact website. However, if you would like to, you can change your cookie settings at any time.
Подробнее об использованииСкрыть
Content is available only in Russian
%title%%type%