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The Archangel Michael with Saints

Creation period
Late 17th –early 18th centuries
Dimensions
31.3x27.5 cm
Technique
Wood, tempera
2
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#1
Unknown Author
The Archangel Michael with Saints Florus and Laurus
#2
Florus and Laurus are Christian martyrs who lived in the 2nd century. They were famous stonemasons in the Roman province Illyricum. They were sent to a neighboring region to build a temple in honor of Heracles but instead of it, they erected a Christian church. As a punishment for that action, they were thrown into an empty well and buried alive with stones. Later, on the day when their relics were found, a severe horse plague ended so these martyrs started to be considered the patrons of horses. 

The iconography of the depiction Florus and Laurus was established in the 15th century. In the middle of the 16th century, Metropolitan Makarius included the hagiographies of these saints into the book The Great Menaion Reader and the icon became very popular. 

With regard to composition, the image was divided into two parts. The Archangel Michael alone or with two harnessed horses was painted in centre of the upper part. Florus and Laurus were depicted on his sides on hills. Though the brothers were twins, on icons Florus was painted as a middle-aged man while Laurus as a young man. The lower part of the icon contains the depiction of horses. 
#3

About icon

#4
The icon from the collection of the Rybinsk Museum Reserve followed this icon painting tradition. It was created by Rybinsk painters, probably, in the workshop of the estate Petrovskoe between the 17th and the 18th centuries as it is proved by miscellaneous herbs depicted on the icon and usually used by icon painters from Petrovskoe. 

Three more martyrs are painted on the icon, namely Speusippus, Eleusippus and Melapsippus. In the 2nd century, they broke up idols in one of the pagan temples. They were ordered to restore the statues and deny Jesus Christ. However, as the saints refused, they were cruelly executed. At first, they were stretched between trees and then burnt. 

The masters painted the icon on a panel. To protect it from deformation, it was tightened on the backside with battens – two narrow inserted strips of wood. The face side was covered with pavoloka, a thin cloth, and several layers of levkas, a mixture of glue and powdered chalk. The painting was made with tempera produced from pigments mixed with egg yolk. The aureole of the saints and the archangel were covered with gold paint, paint with particles of this precious metal.

The icon was kept in the estate Petrovskoe near Rybinsk. When the mansion was abandoned after the revolution, personnel of the museum brought to the repository 45 ancient icons, including this one.
#5
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The Archangel Michael with Saints

Creation period
Late 17th –early 18th centuries
Dimensions
31.3x27.5 cm
Technique
Wood, tempera
2
Point your smartphone camera to open in the app
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  2. iOS or Android;
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  4. Push the «Augmented reality» button and point your phone's camera at the painting;
  5. Watch what happens on your phone screen whilst you flip through the pictures.
 
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