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Icon of the Mother of God Hodigitria

Creation period
Late 17th - early 18th centuries
Dimensions
31.2x27.7 cm
Technique
Wood, tempera
2
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Icon of the Mother of God Hodigitria
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The type of icon Mother of God Hodigitria originated in the 1st century AD. According to the legend, it was painted by apostle Luke for bishop Theophilus of Antioquia. The name of the icon is associated with the ancient Christian temple Hodigon in Greece, where the first image of this type was found. Hodigitria translates from Greek as the Wayfinder. 

On icons of this type the Mother of God is depicted with infant Jesus on Her arms. He could be placed on the right hand of the Mother, as on the icon of the Mother of God Hodigitria of Jerusalem, or on the left hand - such composition is called the Mother of God Hodigitria of Georgia.
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History of icon

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The ancient sacred image was called Georgian because it had first been discovered in Georgia. In 1622 when that country was occupied by Shah Abbas, the icon was taken to Persia. There the icon was bought by Russian merchant Stefan Lazarev and brought back home. The image was transferred to the Chernogorsky Monastery near Arkhangelsk. Local masters began to make copies of it. Researchers suggest that one of such copies served as a model for the Rybinsk Museum icon. 

This icon was created at the turn of the 17th and 18th centuries. The nobles Musin-Pushkins, whose estate was located near Rybinsk, placed an order for painting the icon with painters of the Armory in Moscow. The craftsmanship of the royal icon painters proves itself in the fine and confident drawing of lines, wealth of ornaments and smooth transition between shades.
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About paints

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The icon was painted on a wooden basis with a small ark - a rectangular recess for the main image. The wood is covered with several layers of glue and canvas - cloth of rare weaving. On top of it they applied special compound - a mixture of glue and chalk, and polished it. 

The icon painters used tempera - the paint made of powder pigments diluted in the egg yolk. The frame was covered with a special kind of tempera paint of dark olive color. The background was made unusual for that time: on top of green paint there were applied patterns in the form of small clouds. 
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The clothes of the Mother of God and of Jesus are painted with cinnabar and carmine. They obtained saturated red pigment for cinnabar from the eponymous mercury mineral, and scarlet carmine - from cochineal - insects, which were called just worms in Russia. The masters highlighted illuminated parts of the clothes with ochre - paint based on rust and clay. In order to get a light shade, they diluted ochre with whitewash. Along the edges of the maphorion of the Mother of God the icon painters drew fine lace.
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Faces were traditionally painted with different shades of ochre. To give relative volume to the image they first applied a layer of dark ochre, and then covered light-toned parts of the faces with light shades of ochre.

The image got to the museum in the 1920s-1930s, when local historians rescued valuables and relics from noble estates abandoned after the revolution. Judging by the holes along the ages, the icon was once covered with a metal frame, but it was lost. The icon was in a poor condition: the paints darkened, and numerous chips were visible on the surface. In 2008 museum’s specialists completely restored it.
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Icon of the Mother of God Hodigitria

Creation period
Late 17th - early 18th centuries
Dimensions
31.2x27.7 cm
Technique
Wood, tempera
2
Point your smartphone camera to open in the app
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To see AR mode in action:
  1. Install ARTEFACT app for 
  2. iOS or Android;
  3. Find and download the «Paintings in Details» exhibition
  4. Push the «Augmented reality» button and point your phone's camera at the painting;
  5. Watch what happens on your phone screen whilst you flip through the pictures.
 
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