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Empress Alexandra Feodorovna

Creation period
the 1820s
Place of сreation
the Russian Empire
Dimensions
16,4x13 cm
Technique
metal plate, oil; painting
3
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#16
The art collection of the State Pushkin Museum includes a portrait of Empress Alexandra Feodorovna.


Princess Charlotte, the daughter of King Frederick William III of Prussia, was born on the 1st of July, 1798. Nineteen years later, on the same day, the 1st of July, 1817, she became the wife of Grand Duke Nicholas Pavlovich, who would later become Emperor Nicholas I of Russia. Before the wedding, she converted to Orthodox Christianity and adopted the name Alexandra Feodorovna. Upon Nicholas’ accession to the Russian throne, Alexandra became Empress. Her coronation took place on August 22, 1826 at the Assumption Cathedral in the Moscow Kremlin.


In 1821, in Berlin, Nicholas Pavlovich and Alexandra Feodorovna participated in a fashionable masquerade — tableaux vivants based on the plot of the popular poem by the English romantic poet Thomas Moore, “Lalla Rookh”. The grand duke played Prince Feramors and the grand duchess played the role of the oriental princess Lalla Rookh. Following the performance, Alexandra Feodorovna was also called Lalla Rookh, which figuratively means “beloved”. For instance, Zhukovsky, who was teaching Alexandra Feodorovna Russian, dedicated the poem “Lalla Rookh” to her in 1821. Pushkin, describing the appearance of Alexandra Feodorovna as “a lily with wings”, referred to the future empress as Lalla Rookh in one of the editions of “Eugene Onegin”. However, the stanza with the ball scene from the 8th chapter was not included in the final version of the novel,

#17

And in a ballroom bright and rich, / When into the hushed close circle;
akin to a winged lily,
balancing, enters Lalla Rookh,
and above the bending crowd
is radiant with the regal head, and gently weaves and glides
a starlike Charis among Charites.

#18

Alexandra Feodorovna’s first encounter with Alexander Pushkin occurred in the summer of 1831, in Tsarskoye Selo. They maintained communications until the poet’s death. On April 8, 1834, in his diary, Alexander Sergeyevich Pushkin noted,

#19

I have now gone to the palace to present myself to the Empress <…>. And so I did. We waited for the Empress for three hours. There were approximately 20 of us. Paskevich’s brother, Sheremetev, Bolkhovskoy, two Korfs, Volkhovsky, and others. I was the last one on the list. The Empress approached me, laughing, saying [in French], ‘No, this is incomparable! I have been trying to figure out which Pushkin it would be. It turns out it is you.’ <…> I adore the Empress immensely.

#20
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Empress Alexandra Feodorovna

Creation period
the 1820s
Place of сreation
the Russian Empire
Dimensions
16,4x13 cm
Technique
metal plate, oil; painting
3
Point your smartphone camera to open in the app
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Open in app
To see AR mode in action:
  1. Install ARTEFACT app for 
  2. iOS or Android;
  3. Find and download the «Paintings in Details» exhibition
  4. Push the «Augmented reality» button and point your phone's camera at the painting;
  5. Watch what happens on your phone screen whilst you flip through the pictures.
 
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